Wang Jie

composer


212-380-1483

www.wangjiemusic.com
wangjie@wangjiemusic.com

OPERA

In a small but peaceful land, live the King and his three women: the Queen, the very young consort who is his object of lust, and concubine Yu, his court singer.

 

The Queen mothers his children. The young consort is his newest conquest. Concubine Yu, although childless, is the King’s favorite: she sings with a divine voice. Anything she sings turns into history. She sings songs that people want to sing. She sings his praises in public and in private, she sings of the King's vulnerabilities and inspires him to respond in song. She is his true and only friend.

 

Her musical power is so influential that the dominant neighbor Lord hears of Yu’s magical voice. When they visited the King, they ask that Yu be loaned to them to soothe their people’s uproar.

 

Yu refuses to go to the dominant Lord. Her music is magically dedicated to the King alone and to the way he sees the world. She sings what she believes, thus the magical music. The dominant wants Yu to sing their way of the world, which Yu doesn’t believe in. She can sing for no other master.

 

Infuriated by this rejection, the dominant Lord plans to destroy the King, to take his land, and most importantly, to take Yu into his possession. So that she can convince not only the King’s people but the dominant’s as well, to follow the new order. They want to get her to spread their influence the way she spreads the influence of the King.

 

War breaks out on the border and the dominants advance to the core of the kingdom. Facing certain death, the Queen takes her children and flees. The young concubine sells herself to the enemy, forcing the King to kill her.

 

The battle is lost, but faithful concubine Yu stays beside the King. As the dominant Lord’s army closes in, singing their national anthem. Yu and the King defiantly top this with a song of their own. Captured and dragged before the Lord of the dominant, Yu asks to be uncuffed and sings her farewell song for her King.

 

On the last note of the song, she grabs the King’s sword and cuts her throat. The dominant Lord sees no use in the King and kills him.

 

 

 

Cast

Concubine Yu: Lyric Soprano

Young Consort: Coloratura

Queen: Mezzo-soprano

King: Tenor

Prime Minister: Bass-Baritone

The Teacher (comic relief): Baritone

 

Chorus:

SATB of minimum 32 singers

 

Orchestration:

2222, 4331, timp, 2 perc, hp, Strings

 

Instrumental Forces

Synopsis

Work in Development

WORKS

AN OPERA IN TWO ACTS

For Singers, Chorus and Orchestra*



"Face to face with the popular film adaptation, FAREWELL is a fresh take on an ancient true story, i.e. my original story. My heroine corresponds to the powerful origin of opera: Orpheus. He now reincarnates as a female court singer. But this time, her ("her!") powerful music brings the fall of an esteemed kingdom."

 

- Wang Jie